|Thin Air: An Interview with Intermedia Artist, Iain Baxter|
On August 8, 1970, Charles Amirkhanian visited with intermedia artist Iain Baxter in his North Vancouver, British Columbia home. The residence doubled as the headquarters for an unusual corporation, called the N.E. Thing Co., Ltd. Charles probes the motivations for setting up such an institution and discusses several projects of the company with Mr. Baxter, who preferred to be introduced as "president" of the N.E...
Keywords: Conceptual Art; Interview; Inter-media Art and technology; KPFA-FM
|CHESS: A Participatory Time Space Event|
On April 28, 1971, the transmission herewith recorded took place. CHESS: A Participatory Time Space Event produced by students from California College of Arts and Crafts under direction of James Petrillo. Thirty-two human beings acted as chess pieces utilizing a district of San Francisco as the chessboard. The chess pieces were situated in the Richmond District of San Francisco bounded by Lake Funston, Fulton Street and Sixth Avenue...
Keywords: KPFA-FM; Inter-Media; Visual Arts; Interactive Art
|Lucid Unreason (wd8 version) - Nova deViator|
walkersdorf version of lucid unreason is part of installation developed with help of cym's wd8 art center in walkersdorf, styria. the intermedial installation is a joint/group project of Polona Rusjan, Luka Dekleva, cym and luka princic / nova deViator and was developed through a series of meetings, workshops and discussions. the result of this development are mini-tv transmitters used as localisation devices (as opposed to globalisation devices, maybe) and conceptual approach that deals with th...
Keywords: artaud; glitch; dj nova; nova viator; eros; body; inter media
|Museum of Conceptual Art: Opening of a New Space|
"On Wednesday, January 3, 1973, the Museum of Conceptual Art opened its doors across the street from its previous space in San Francisco. The new address (75 Third Street) is above the Breen’s Bar where many previous showings by MOCA have occurred. In this dingy loft, previously used by a printing company, about 500 artists and viewers gathered between 7pm and 11pm expecting to witness a startling new show by the museum’s curator Tom Marioni...
Keywords: MOCA-FM; Inter-Media and Visual Arts; Performance Art
|Sarenco and the Visual and Sound Poetry of Italy|
During the 1970s in Italy, a group of visual poets stirred up quite a scene around Florence. The ring leader, a young poet who goes by the name of Sarenco issued a periodical called Lotta Poetica (Poetic War), a communist, anti-imperialist, anti-capitalist monthly devoted primarily to poetry with visual elements. Members of this Gruppo 70 as they came to be called included Eugenio Miccini, Luciano Ori, Lucia Marcucci, Giusi Coppini, Michele Perfetti and Lamberto Pignotti...
Keywords: KPFA-FM; Inter-Media; Visual Arts; Sound Poetry
|Radio Event No. 19: An Orchestra Is Born|
One in a series of groundbreaking, audience participatory Radio Events, produced by KPFA in Berkeley California. For this program, Anthony Gnazzo, solicited from KPFA listeners, brief recordings of various sounds of their own choosing. This collection was then subjected to chance operations by Gnazzo, and lo and behold, “An Orchestra Is Born”. Somewhat reminiscent of John Cage’s “33 1/3”, the resulting auditory montage is a wonderfully diverse mix of spoken word, music, and just down r...
Keywords: KPFA-FM; Radio Events series; Anthony Gnazzo; Inter-Media; Visual Arts; Interactive Art
|Radio Event No. 14: Armenia Gardenia|
Armenia Gardenia” by Charles Amirkhanian, was the 14th program in the groundbreaking Radio Event series, in which audience reactions were incorporated into a live KPFA radio broadcast. This work utilizes short pre-recorded sound events, such as snatches of music or talking, that were then played over the air interspersed with long periods of silence. Amirkhanian then waited for listeners to call into the station to inquire as to the nature of the broadcast in progress...
Keywords: KPFA-FM; Radio Event series; Interactive Art; Inter-Media Art; Audience Participation
|Radio Event No. 2: No Soap, Radio|
This is the second in a series of groundbreaking, participatory, radio programs produced by KPFA. In this program, recorded on October 31, 1969, Berkeley California sculptor, Peter Veres, invited listeners to take part in a do-it-yourself Halloween Brindle Party, a self-proclaimed Witches’ Sabbath, all through the magic of the radio air waves. (What’s a Brindle you ask, why it's the opposite of a Mugwamp of course.) Prior to the actual event, subscribers to the KPFA program guide were encour...
Keywords: KPFA-FM; Radio Event series; Inter-Media; Visual Art; Interactive Art; Audience Participation
|Evening Concert: Music from the Sky, Part II|
On September 17, 1979, at Mills College in Oakland, California, Bulgarian conceptual artist, Alzek Misheff presented his spectacle, “Music from the Sky, Part II”, from a balloon high flying above the audience, with loudspeakers blaring computer derived sounds, based on a graphic score using slides of outer space. The slides themselves were projected onto a screen halfway between the earth and the balloon...
Keywords: KPFK-FM; Evening Concert; Modern Art; Inter-Media; Visual Arts; Electro-Acoustic; Electronic; Alzek Misheff
|Radio Event No. 5: X-Change|
Composed in 1969 specifically for broadcast on KPFA’s groundbreaking, audience participation, Radio Event series, Anthony Gnazzo has created yet another hilarious work of sound poetry or aural montage. Mixing snippets of advertisements, announcements, and music from the mainstream media with excerpts of phone interviews that Gnazzo conducted with KPFA listeners about their impressions of radio programming and commercials, this work captures the combination of youthful innocence and crass capit...
Keywords: KPFA-FM; Radio Event series; Inter-Media; Visual Arts; Interactive Art; Participatory Art; Anthony Gnazzo
|Radio Event No. 7: Junk and All that Jazz|
A lengthy aural montage of interviews and monologues on the topic of “junk” mixed with snippets of jazz music and live in-studio chatter and listener phone calls to KPFA. Under the direction of composer Anthony Gnazzo, his text-sound composition was played on the radio during one of KPFA’s groundbreaking listener participatory Radio Events. Chaotic and fun, this sort of adventurous and experimental programing was typical of the anarchistic artistic world that was Berkeley during the late 1...
Keywords: KPFA-FM; Radio Event series; Sound Poetry; Inter-Media; Visual Art; Audience Participation
|Radio Event No. 8: Bags|
In a unique integration of radio, art, and the listening audience, Peter Veres, Anthony Gnazzo, and Gene Turitz present an interactive documentary on bags. This intermedia event was co-sponsored by KPFA and the Berkeley Art Center in Live Oak Park, Berkeley. This program is, in many ways, a field recording of children and other visitors interacting in a room full of bags at the Art Center, while Veres, Gnazzo, and Turitz provide a running commentary on the events as they unfold (or get crumpled)...
Keywords: KPFA-FM; Radio Event series; Interactive Art; Inter-Media; Visual Arts; Bags; Field Recordings
|MOCA/FM: Sound Sculpture As|
Sound Sculpture As was an exhibition of 9 sound sculpture/performances, initiated and curated by Tom Marioni on April 30, 1970. The participating artists, all sculptors, were: Peter Macan (sounds of popping from plastic bubble wrap underfoot on the floor at entrance and in elevator); Mel Henderson (firing a gun at a projected image of a tiger); Jim Melchert (30 unanswered telephone rings from two calls placed from outside the museum); Tom Marioni aka Allan Fish (Piss Piece-- from the top of a la...
Keywords: KPFA-FM; MOCA; Inter-Media; Visual Arts; Sound Sculpture; Modern Art; Performance Art
|Radio Event No. 3: Furniture Mix by Anna Halprin|
Dance choreographer and intermedia artist Anna Halprin leads the KPFA audience in a participatory event, recorded live on Thursday evening, November 20, 1969. Listeners are encouraged to re-arrange their furniture at home in time to music played over the air and then to visualize a fantasy which occurred to them in the process. These fantasies are called into the station toward the conclusion of the program...
Keywords: Performance Art; Inter-Media; San Francisco Dancers' Workshop Company; Anna Halprin
|Radio Event No. 4: DD|
Stanley Lunetta, editor of the avant-garde music periodical “Source”, invited the listening audience to participate at home as part of KPFA’s groundbreaking, interactive, participatory, Radio Event series. Using a graphic score and list of instructions published in the December 1969 KPFA Folio, or program guide, audience members were encouraged to listen to various programs on KPFA while altering the settings of their radios...
Keywords: KPFA-FM; Radio Event series; Inter-Media; Visual Art; Interactive Art; Electronic Music; Audience Participation
|Ode to Gravity: Tom Marioni Retrospective Show 1959 - 1973|
This recording documents the works of Tom Marioni, from 1959 to 1973. Marioni was the founder of the Museum of Conceptual Art of San Francisco (MOCA-SF), and the force behind a number of interesting programs found on radiOM.org. The reader heard in this recording is Marioni, who details his works in prose form. The statement was read at a show in Cambridge, MA., at Project Incorporated on February 13, 1973, and this document was prepared especially as a radio version of the same “piece”...
Keywords: KPFA-FM; Ode to Gravity Series; Inter-Media; Visual Arts; Modern Art; Tom Marioni
|Radio Event No. 9: Boiling Water|
One in a series of groundbreaking, audience participatory, Radio Events, produced by KPFA in Berkeley California. This program, entitled “Boiling Water” was created by Philip Corner in conjunction with Charles Amirkhanian and his wife Carol Law. In order to participate, the audience was encouraged to listen to the radio while standing near the stove. The general idea was to have the audience boil some water and make some tea, or some other warm beverage, in concert with the two on-air person...
Keywords: KPFA-FM; Radio Event series; Interactive Art; Inter-Media Art; Audience Participation
|Radio Event No. 20: Rhododendron|
Tom Zahuranec invited the radio audience down to the KPFA Music Office to communicate mentally with a rhododendron which was wired with liquid electrodes feeding impulses into a Buchla synthesizer. This program includes commentary of Amirkhanian and Zahuranec, as well as the impressions of the participants.
Keywords: KPFA-FM; Inter-Media; Visual Arts; Interactive Art; Electro-Acoustic; Electronic; Tom Zahuranec
|Radio Event: No. 1 Radio Caress|
This is the first in a series of programs produced by KPFA's Music Department in which artists from various disciplines were asked to take any amount of air time and get the audience to respond physically to the audio broadcast instead of just being passive listeners. While the events can be enjoyed as auditory soundscapes the primary purpose was to produce "event art" or "happenings", with the listeners as active participants...
Keywords: KPFA-FM; Radio Event series; Inter-Media art; Interactive art; Audience participation; Soundscapes
|Other Minds Presents: Something Else: A Fluxus Semicentenary - Other Minds|
Something Else: A Fluxus Semicentenary, was a three day event honoring the past half decade of Fluxus, a loose association of like minded conceptual and performance artists. The series of events, which included a selection of films, a radio program, and a live performance, was sponsored by Other Minds, and held in San Francisco from September 15 - 17, 2011. The last day featured live performances of a selection of iconic Fluxus works by some of its founding and/or more famous artists...
Keywords: Other Minds presents; Fluxus; Performance art; Conceptual art; Inter-Media art